This scene from ‘Psycho’ is our first introduction to the
horror that the film possesses. This
point of view shot allows us to experience the shock and horror that Marion
experiences. The image is blurred and shadowed to create a sense of mystery and
disorientation. This scene helps us show
how Hitchcock uses different angle/camera techniques to create a particular
mood or emotion. Hitchcock is clever with this type of camera angle, as the
close-up makes the audience feel trapped and confined. The lighting in this
shot is cleverly arranged; from this still image we can see that the lightness
is no longer in control, and that the darkness is becoming the most dominant
shade in the scene. It uses back lighting to create a silhouette and also to
keep Normans identity a secret and make us believe it could be his mother. This
silhouette also makes us become fascinated because the dark outline of the body
leaves us on edge as we don’t know what the person looks like or who they
actually are. This quick paced scene later leaves us in shock when we witness
the death of Marion. This first initial shot is a jump factor, and then the
fast mixture of angles and shots that are carried on helps us understand the
crazy, energetic disruption that happens.
The collision cutting within this scene works really well to build
tension, the pace starts of slow and then the editing speeds up during the
shower attack.

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